After a long search I recently tracked down a copy of one of the most obscure studies of Isidore Ducasse, this obscure and exuberant booklet by the Uruguayan poet Pedro Leandro Ipuche in 1926. Ipuche was a friend of Borges during his ultraist period, and around this time collaborated with him on the little magazine Proa. Readers of the fictions of Borges may remember a character of the same name cited in the story ‘Funes, el Memorioso’.
The present pamphlet is dedicated to the Guillot Muñoz brothers, “y por cuyo libro fui al Libro del Furioso Desolado” – presumable a reference to their work Lautréamont et Laforgue, which had been published the year prior. It was through the brothers that Ipuche became one of the small handful of people (the others being Jules Supervielle and Mendez Gabariños) to examine the daguerrotype of Isidore Ducasse given to the Guillot Muñoz brothers by Mrs. Jean-Julien Ducasse, before it was seized by the Montevideo police during a raid and disappeared. According to the account by Enrique Pichon-Rivière, Ipuche thought that in the photograph Ducasse had the air of a young Montevideano, and it was perhaps out of this inference that the present work was conceived.
It was from this photograph that Gabariños based his two etchings of Ducasse upon. to Pichon-Rivière’s account suggests that those who were familiar with the photograph thought that there was little similarity between the etchings and the portrait, and suggests somehow that some sort of madness visited Gabariños as a result.
The book is illustrated with a single plate bearing a striking full page woodcut entitled” “Poulpe au regarde du soie”, a reference to the passage in Maldoror in which the protagonist turns into an octopus in order to consume God. The woodcut is unattributed, and we can’t determine whether it was made specifically for this work or appropriated from an existing source. If you know, please get in touch.
Ipuche, Pedro Leandro. Isidoro Luciano Ducasse (Conde de Lautréamont). Poeta Uruguayo.
Montevideo: Peña Hnos, 1926.12mo, 16 pp, saddle-stapled wraps. Illustrated with a single woodcut. Previous owner’s signature to the title and dedication pages, and elegant annotations throughout in ink.
Rare. OCLC locates only two holdings, and none in North America.